![]() The most laborious task will be to get the samples into the hardware samplers.Ī: Sample from the analog input on the sampler and if I get you right, you want as much character from the hardware as you can get - it's not only about the DACs, it's also about the ADCs, right? wav, I'm interested in wav, or if there's a lighter alternative I'm passing over, somewhere in the neighborhood, price wise.Ĭlick to expand.OK, so you don't need velocity layers, just a bunch of individual samples. I'm just just not sure what files I'll be dealing with yet, I'm thinking it's like Logic?. That said, If I'm going to buy the soft, I might as well get the most out of it if it saves me time.įrom the looks of it, MainStage 3 can do this. I may even be able to do that in the sampler itself, it's been a many, many, years since I've used it, I have to look into it. (2000's E-mu) Transferring that will be easy because options: SCSI/HD/Floppy/Zip/ect. ![]() When I'm done with that, I need a quick way to sample mono synths to make poly patches, just to transfer them back to another hardware sampler. ![]() ![]() I'm going to sample sounds from my computer, one shots in this particular case, to my hardware samplers (80s Ensoniq/E-mu) and then get those samples back into the computer just so they can end up in a software sampler because: virtually endless memory, layering, and other neat tricks not possible in those old samplers. I'm not sure what other details you need. That's a tremendous deal considering, plus there's a 10 gig download if people want that. I'd prefer something light, but 30$ is hard to beat. how to assign the footswitch buttons to the individual Loopback functions.Yeah, that's the bloat I'm talking about, stuff I don't need or want polluting my drive. In part 2 we will deal with the configuration of the MIDI controller, i.e. Your first goal has been achieved - you can record several different sound sources on one loop. If you want to use more instruments or vocals, do the same - New Channel Strip, Send to Bus 15. set Send to Bus 15 and set the appropriate level. In order for this source to be looped, perform the same steps as for the guitar, i.e. Drums, and configure any sound by selecting the Instrument in Input, or in the “Instrument Channel Strip Inspector” window select a configuration preset from the Library (which in addition to the Instrument itself also contains EQ, Compression, etc.). Click on + to add a new Channel Strip.ĭepending on your needs, you can do it at the Patch, Set or Concert level by clicking on the appropriate item on the Patch List. Now let’s configure the second source, this time Virtual Instrument controlled by MIDI keyboard or Drum Pad, so that you can tap and then loop the rhythm line. When you set 0 dB or more and you will add subsequent layers of music on one loop, the sound level will start to grow unnaturally, and usually you want to create just a few bars of a backing track for your singing or solo. You should also increase the level of the sent signal from -∞ to some value, preferably -2 dB / -3 dB. Click on the one responsible for the sound of your guitar and in it set Send to Bus 15. In the Patch there are several pre-configured Channel Strips. Now you can choose the Patch that you want. “Loopback”, and set the Input to any free Bus, e.g. To do this, add a new Channel Strip on Concert level - first click on “Untitled Concert” on Patch ListĪnd then click the ⚙ icon and add a new Aux Channel Strip Thanks to this you will be able to easily change Programs (Patches) during the performance, and the looping tool will work with each of them. Go to the “Edit” view if you are not in it.īefore you choose the Patch you are interested in, first configure Loopback so that it is available for every Patch. Start Mainstage 3 and create a new “Concert” - e.g. Part 1: Several different sound sources on one loop In this series of three blog posts, based on the example of MainStage 3, I will describe how to configure the built-in Loopback plugin and show how to control it without using your hands during live performances and achieve the same effect as when using dedicated looping equipment (e.g. DAWs such as Apple Mainstage or Ableton Live are dedicated to live music. OK, great - we know what benefits a virtual studio provides in music production, but what about live performances or rehearsals? Nowadays, when virtual instruments sound at least as good as, and often better, than real instruments, anyone can create any track using MIDI at home, without spending money on an expensive studio, equipment and session musicians.
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